CWC-Marin Branch Book Launch
Join us this Sunday for our branch-wide book launch.
We have two additional authors — Carol Sheldon, author of “A Sleuth in Sausalito,” and Roberto Haro, author of “Snowy Elixir: Formula for Death.”
Join us this Sunday for our branch-wide book launch.
We have two additional authors — Carol Sheldon, author of “A Sleuth in Sausalito,” and Roberto Haro, author of “Snowy Elixir: Formula for Death.”
Last Sunday’s “Calling All Writers” event at Book Passage provided two useful tools for writers, established and novice alike. The first hour focused on “How to Survive NaNoWriMo” — that’s National Novel Writing Month, which starts November 1 and challenges participants to write 50,000 words by 11:59 PM on November 30. The second hour covered how to turn those words into gold with the help of a critique group.
Think of NaNoWriMo as AA for writers, suggested the workshop leader, CWC-Marin board member Kasey Arnold-Ince — it provides daily support, accountability, a specific commitment of 30 days. Each day in November, after their writing stint, participants upload their working document to the website, which tallies the word count, and records it on their profile. There are also online forums and AA meetings — sorry, write-ins, in locations across the globe. (Even a few in Marin.) Though NaNoWriMo was created for novels, crafty non-fiction writers can also get in on the act by using the online website and app to develop their non-fiction. The algorithm that counts your words doesn’t care if it’s counting fiction or nonfiction.
NaNoWriMo is not a critique tool and no one will actually read or critique your work unless you choose to share some of it by adjusting the settings in your profile.
NaNoWriMo has led to success for writers — Water for Elephants and The Night Circus were both started at NaNoWriMo.
Here are some tips that Kasey shared:
Nonfiction is typically two to three times faster to write than fiction, because you don’t necessarily have the plot issues, character development snafus that plague the fiction writer. Nonfiction writers are often expert in their field and can draw on their experience.
Kasey compared NaNoWriMo to a writing experience in high school where her English teacher gave students the apparently Herculean task of writing a hundred poems in a month, and regularly checked on her students’ progress. While the poems in the first week weren’t so great, she recalled, they served the purpose of “purging” sentimental, clichéd, and overly emotional poems, creating breathing space for better poems to be written in the later weeks.
Victoria Hudson, author of No Red Pen — Writers, Writing Groups & Critique, led the second hour discussing how to create a successful writing group. Here are some her tips: