Join Us for ‘Writing As a Path to Awakening’ January 28
Holiday Party and Open Mic for Members December 3 at Book Passage
Come celebrate our annual CWC Marin Holiday Party and join the revelry in this Open Mic event! RSVP to cwcmarin@gmail.com if you want to read at the Open Mic.
Please bring an appetizer or favorite beverage to share at the festivities!
NaNoWriMo “Write-In” November 5 at Tam Valley Cabin (FREE)
Since our usual fourth Sunday of the month falls on Thanksgiving weekend, we’re hosting a “write-in” November 5 in Tam Valley (60 Tennessee Valley Road, Mill Valley). We’ll be joined by Elizabeth Menozzi, the Marin County liaison for NaNoWriMo — the national novel writing month.
If you don’t know about NaNoWriMo, this will be a great opportunity to find about it. National Novel Writing Month has been happening since July 1999 when 21 writers gathered in the San Francisco Bay Area. Now there are hundreds of thousands of NaNoWriMo writers, all over the world.
We’ll start at 4:30 pm with introductions and an overview of NaNoWriMo from Elizabeth. She’ll share tips about how to make the best of it, and tell us about other gatherings around the bay. Then we’ll set aside 30-45 minutes for writing, followed by several brave souls reading their work out loud. (Not necessarily brand new from the writing session.)
We’ll have refreshments, too. Free to members and non-members.
Join Us for ‘When Plots Collide’ on October 22
As a genre of fiction, suspense conjures up spies climbing over the Berlin Wall, or a bomb about to go off in downtown San Rafael. But the definition of suspense is simply “a feeling of excited or anxious uncertainty about what may happen.”
Your readers keep turning the pages because they want to know what happens next. Even without explosions.
In this participatory workshop, John Byrne Barry, CWC–Marin board member and award-winning author of Bones in the Wash: Politics is Tough. Family is Tougher, and Wasted: Murder in the Recycle Berkeley Yard, will map out how to heighten suspense by weaving together multiple storylines.
Hope you can join us on October 22, 2 pm, at Book Passage in Corte Madera.
David Corbett on How to Create Compelling Characters
At our September 24 meeting, David Corbett packed a book’s worth of insightful advice on developing characters who will drive your story. As a matter of fact, he’s written that book, The Art of Character, which Elizabeth Brundage calls “a writer’s bible.”
He covered far too much to distill into this summary, so here are just a few highlights. You can read his book for more. (He’s a frequent speaker in the Bay Area and he’ll be at Book Passage again on October 8.)
- Every character doesn’t need to change, but most do. Usually, protagonists are faced by a series of challenges that force them to do something they might not otherwise have done. They change. Like Rick in Casablanca, who has a wound curdling into a flaw that he corrects.(Some characters never change. Think Homer Simpson. In almost every episode, Homer has some brilliant idea, then he falls on his face, and the next episode he’s back where he started. The situation changes, but the character does not.)
- Corbett identifies four characteristics that we need to identify for our important characters — lack, yearning, resistance, and desire.
- Lack — something is missing from their life. A connection with their father. Material success. Love.
- Yearning is the deep-seated need the character has. What kind of person do they want to be? In every scene, the character is trying to move to satisfy that yearning. (Of course, they are usually thwarted.)Yearning is tricky because there’s this concern that if you name it too specifically, you kill it. Sometimes a symbol is better, like the green light on Daisy’s dock in the Great Gatsby. It represents his hopes and dreams for the future.Usually the yearning comes first and the lack comes from not satisfying that yearning.But the lack can come first as well. We all experience some of that growing up, especially if we have younger siblings. As a baby, we’re fed all the time, we’re at the center of our parents’ universe, then along comes another baby and we’re not so special anymore.
- The big question for most protagonists is, if they’re yearning for something, why aren’t you doing it?Which brings us to resistance.
- Resistance can come in a variety of forms — weakness (laziness, cynicism, lack of confidence), wounds (broken heart, death of a parent), limitations (too young, too poor), opposition (strict father, cultural norms), and/or flaws (lack of courage, inability to tell the truth).
- The strongest characters have external goals tied to their internal yearning. They have to defuse the bomb about the destroy Sausalito and prove to themselves and their loved ones that they’re courageous.Lots of characters in thrillers face daunting challenges. The challenge for the author is to answer why they persevere? Why not just clock out and leave it for the next shift?
- How do you make the stakes matter? It needs to be more than just defusing the bomb. Maybe the characters can’t live with themselves if they fail. That’s not who they are.
- How much back story does your story need and where do you put it? Ideally, backstory is behavior. Your characters acts in particular ways because of what happened in the past. If possible, show that past in a scene instead of explaining it.
- End your book in a way that is both inevitable and surprising. (Easier said than done, right?)
- All characters have to polar impulses — to pursue the promise of life, and to avoid the pain of life.If you’ve gotten your ass kicked too many times, you decide avoiding pain is the path you want to follow.
- Here are some questions you might ask for all your main characters? When were they most afraid? What was their moment of greatest sorrow? How about their moment of greatest forgiveness? When was their golden moment, their greatest success? Was anyone else there?
These short takeaways don’t do justice to the wealth of valuable insights Corbett shared. I have read and studied his book and I recommend it. He has helped me make my characters richer and more compelling.
Next month, I’ll be presenting When Plots Collide — Create Suspense by Weaving Multiple Storylines.
This workshop will be more focused on mapping out plot, but of course, as Corbett would say, what happens in the story has to organically grow out of the character’s yearnings and wounds and passions. If you create a plot that doesn’t honor the characters, it won’t ring true.
Hope you can make it.